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Vice or virtue? Berlin exhibition charts Germans’ penny-pinching mania

While the European Union gears up for another of its endless post-crisis bouts over spending, debt and deficits, Berlin's German Historical Museum has turned a microscope onto the mania for saving in Europe's largest economy.

Vice or virtue? Berlin exhibition charts Germans' penny-pinching mania
A visitor at the 'Saving: History of a German virtue' exhibition. Photo: DPA

“Merkel's bullying”, “Queen of austerity”, “German dogma”: headlines from around the EU greet visitors to the baroque pile on the leafy Unter den Linden boulevard that houses the museum.

All are relics of Berlin's insistence that eurozone members stick to strict limits on debts and deficits at the height of the currency bloc's post-2008 financial blues.

Politicians and the public have been puzzled by the rage from other nations, while Spaniards, Italians and above all Greeks have cursed Berlin for soaring unemployment and slashed government services.

“These attacks meet with little understanding in Germany. Why is this conflict so highly charged emotionally?” questioned museum chief professor Raphael Gross.

To most Germans, saving around 10 percent of their income has long been an “unquestioned virtue” come war, inflation, famine or fortune, Gross noted.

Witness to that fact are some €2.3 trillion ($2.8 trillion) socked away in savings accounts or under mattresses, according to a January report by Germany's central bank, the Bundesbank.

Curator Robert Muschalla said he deliberately wanted to provoke with the title of the exhibition — “Saving: History of a German virtue”.

“The idea isn't to say that saving is good or bad, it's about opening a debate on a topic that is seen as self-evident in Germany… saving has become internalized into a habit,” he explained.


Photo: DPA

Gold for iron

To understand Germans' nest-egg neurosis, visitors must look back to the 18th century, when the building that today houses the museum was the arsenal of militaristic Prussia.

Like neighbouring France, Prussia and other German states were roiled by emancipatory ideas spread by the Enlightenment thinkers of the time.

But “while the French carried out their Revolution [in 1789], the Germans invented saving” as the foundation of personal autonomy and a means to pay for education, Muschalla pointed out.

The first of the Sparkasse savings banks that dot cityscapes to this day was opened in free city Hamburg in 1778.

SEE ALSO: In rural Germany, 'mobile banking' means a bank on a truck

Prussia boasted some 278,000 savings accounts by 1850 and 2.2 million by 1875.

To a state that had asked citizens to fund its war effort against Napoleon by exchanging gold jewellery for iron rings, the savings system was a natural bulwark against enemies within and without.

Communist thinker Karl Marx raged in “Das Kapital” — a first edition of which can be seen among the exhibits — that workers' cash piles kept them invested in the capitalist system, giving them something to lose in case of a revolution.

And when World War I broke out in 1914, ordinary citizens' savings again helped foot the bill for the bloodletting.

Truckloads of cash

At the heart of the exhibition stands the symbol of what came next — a replica of the wheelbarrows used to haul stacks of near-worthless banknotes through the streets during the hyperinflation of the early 1920s.

Adolf Hitler's Nazi party was quick to seize on the opportunity, placing “saving in opposition to lending,” curator Muschalla said.

A “background noise of anti-Semitism” painted finance and credit as the province of their preferred scapegoat for Germany's ills, the Jews, he added.

Propaganda posters from 1938 — five years after the Nazis seized power — hailed “those who work and save” as the guardians of “German tradition”.

Under Hitler's Third Reich, a “Sparautomat” or savings machine was installed in many schools, allowing children to deposit pennies and pull a lever to mark their savings books.

Meanwhile, the regime began confiscating Jews' bank deposits in 1938, a few years before it began deporting them to forced labour and extermination camps.

'Stinginess is cool'

After the Nazis' 1945 defeat, the new Federal Republic of Germany turned westwards and became a thriving capitalist economy.

But unlike Americans or western European neighbours, the new Germans still shunned purchases on credit, hoarding their deutsche marks until they could afford a car, fridge or television — and keeping the savings machines in schools, minus the Nazi propaganda.

A poster preserved in the exhibition blares the “Geiz ist geil” — “stinginess is cool” — slogan used by the Saturn electronics chain in the 2000s.

In a society still obsessed with discount supermarkets and money-off coupons, saving is a “German pathology” lamented Die Welt newspaper columnist Henryk M. Broder in a video.

“'Geiz ist geil' is really the worst phrase — except for 'Heil Hitler' — ever invented in this country,” he said.

READ ALSO: Will the German love affair with cash ever end?

MONEY

Going to a Danish music festival? Beware of fake online tickets

Scams involving event tickets are not uncommon during Denmark’s summer music festival season, the country’s digital authority has warned.

Going to a Danish music festival? Beware of fake online tickets

Denmark’s Agency for Digital Government (Digitaliseringsstyrelsen) has urged anyone hoping to pick up a festival ticket at short notice to “be critical” when purchasing passes online.

In a press release, the agency outlined what it calls “simple advice” to help consumers avoid losing money on shady festival tickets.

The NorthSide festival in Aarhus kickstarts Denmark’s summer festival season on 6th-8th June, followed shortly afterwards by the Heartland festival at Egeskov on the island of Funen, both from June 13th to June 14th.

For lovers of hard rock and metal the Copenhell festival from June 19th to June 22nd is not to be missed.

Then, for the weekend of June 27th-29th, the festivities move back across the Great Belt Bridge for the Tinderbox Festival in Odense on Funen.

The month of music then culminates with Denmark’s oldest and largest music festival, Roskilde, between June 29th and July 6th, although arguably all the biggest days are in July. 

Several of these festivals have already sold out of either one-day tickets or “partout” tickets that provide passes to the entire event.

READ ALSO:

That means tickets are now being sought on social media and other resale platforms, the digital agency writes.

“We’ve collected some good pieces of advice that will help members of the public to spot ticket sharks and prevent a good summer with friends and music from becoming a disappointing summer when scammers make off with your money and good mood,” Agency for Digital Government deputy director Lars Bønløkke Lé said in the statement.

“Scammers don’t go on holiday and festival ticket sales are also an opportunity they try to capitalise on,” he said.

Four specific actions can greatly reduce the risk of getting scammed according to the agency.

These are:

  • Purchase tickets from official vendors only. Use their waiting lists if the tickets are sold out.
  • Be cautious about any offers you receive if you request a particular ticket in a social media post or ad, as these can attract scams.
  • A ticket set at a price far cheaper than can be found anywhere else is a sign of a possible scam.
  • If using Danish payment app MobilePay, you can check that the seller’s name appears on the payee MobilePay account before confirming your payment. You can then check that this name matches the name of the person or organisation from which you have agreed to buy the ticket. A discrepancy should raise a red flag. Similarly, if the seller unexpectedly asks you to send the money to an account other than their own, they are likely to be attempting a scam.
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