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CULTURE

Why does Spain dub every foreign film and TV series?

Spaniards rarely watch anything foreign in its original language, and the country's cultural obsession with dubbing almost every single non-Spanish language film and TV series has roots in history and business.

dubbing spain
Why are Spaniards so adverse to watching foreign films in their original language? (Photo by Pierre-Philippe MARCOU / AFP)

If you live in Spain, or have even flicked through the TV channels in a hotel, you might have noticed that almost every single foreign TV series and film is dubbed.

It’s so common in fact that American director Paul Thomas Anderson once said of Spain: “Spain is the worst place for arthouse cinema; the dubbing is ridiculous.”

It’s fair to say that Spaniards very rarely watch anything in its original language. Some say it’s sheer laziness as they can’t be bothered to read the subtitles, whereas others point to the dubbing obsession as one of the underlying reasons for Spain’s low level of English compared to other countries.

READ ALSO: Why are the Spanish ‘so bad’ at speaking English?

There is a paradox here. While roughly one in four Spaniards claim to be fluent in English, just 4 percent of Spaniards who go to the cinema choose to watch the original version with subtitles, according to Las Provincias.

So, why does Spain dub everything?

History

When sound films arrived in Spain at the beginning of the 20th century, films were dubbed for two reasons. Firstly, so that they could be understood by viewers because so few would understand the original language, but also due to the low levels of literacy in Spain at the time meant that subtitles wouldn’t have been much use anyway.

A few decades later, during the early stages of the Franco dictatorship, it was compulsory for all films to be dubbed into Spanish. The Language Defence Law, introduced in 1941, was used to strengthen Spanish nationalism by promoting Castilian Spanish through a mass cultural mode like cinema.

But it was also a form of censorship because it could alter or ignore entirely themes or comments that were deemed undesirable by the Franco regime. Perhaps the most famous example of this was in the classic film Casablanca. It was widely known that the character played by Humphrey Bogart fought in the Spanish Civil War as part of the International Brigades, in other words, as a Republican against the Franco regime, yet this fact was not included in the dubbed version shown in Spain.

READ ALSO: 17 hilarious Spanish translations of famous English movie titles

Spanish Dictator Francisco Franco was a film buff who watched foreign movies that were censored for the rest of the population. (Photo by AFP)
 

Money talks

Spain’s dubbing habits also have a financial explanation. Dubbing an entire film or TV series is a costly process. As such,  it is only profitable to dub a film if it has a wide distribution market with millions of potential viewers.

This is why dubbing of films is common in Spain and in countries such as France and Russia, while in Scandinavian and Eastern European countries, due to the smaller number of native speakers, films and series are broadcast in their original version and subtitled.

According to figures from the Federation of Spanish Cinemas (FECE) from 2015, of the roughly 3,500 large screen cinemas in Spain, barely 200 of them showed international films in their original language.

Of the 94 million Spanish moviegoers that year, only 3.8 million went to original language screenings, and they took in 24.5 of the €572 million taken at the box office.

Hollywood star Tom Cruise at the premiere in Seville of his 2010 film “Knight and Day”, which in Spanish was titled “Noche y Día”, missing the play on words.(Photo by Jorge Guerrero / AFP)
 

Are Spaniards missing out?

Dubbing, no matter how professionally it is done, will always lose nuance, miss puns, intonations and meanings only possible in the original version. Experts say that due to the long developed dubbing industry in Spain, the quality of dubbed films is high, yet it is undeniable that artistically speaking dubbed films lose something.

READ ALSO: Boogie noches: how erotic cinema boom in 1970s helped shape modern Spain

On top of that, having the original films also helps to improve foreign language skills, namely listening comprehension, pronunciation and vocabulary. Several studies show that watching films in the original language with subtitles can really help language learning, so dubbing undoubtedly takes away from this.

However, there is also the argument that many films and series might never be watched in the Spanish market if they weren’t dubbed because dubbing is so culturally embedded. The movie business is, after all, exactly that: a business.

Neutral accents and small pool of voice actors

If you speak decent Spanish, you might’ve noticed that the type of Spanish used for dubbing is quite distinct. Generally when watching a dubbed film in a Spanish cinema, the accents are quite well spoken — imagine the sort of Spanish you hear on TV adverts or the way news presenters speak.

In Spain, there’s a similar north-south accent divide to the United Kingdom, France and Italy for example, as well as supposed ‘better’ and ‘worse’ ones. In Spain’s case, northern accents are generally considered more neutral or ‘correct’, whereas southern ones are more often discriminated against.

READ ALSO: A handy guide to understanding Spain’s regional accents

In terms of dubbing, as in television more generally, almost all accents chosen are these rather neutral, well-spoken northern or Madrid accents. As is the case with news readers, it would be rare to hear a Murcian or Andalusian accent.

The most famous voice actor in Spain, the late Constantino Romero, made a name for himself thanks to his deep, resounding voice, which allowed him to dub Hollywood stars of the likes of Arnold Schwarzenegger, William Shatner, Roger Moore and James Earl Jones.

There’s tended to be a relatively small pool of voice actors in Spain, meaning that the person who does Bruce Willis’ voice also does Kevin Costner’s, or the voice actor who dubs Catherine Zeta-Jones is the voice of Julia Roberts and Sharon Stone as well. 

Member comments

  1. On accent , I would comment that it seems American films are increasingly dubbed in South American accents.

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OPINION AND ANALYSIS

OPINION: Young black stars mirror migrants’ contribution to Spain

Both Lamine Yamal and Nico Williams are the children of first-generation migrants in Spain; their skin colour and standout performances at Euro 2024 say plenty about the country’s changing demographics and reliance on migration to keep afloat. 

OPINION: Young black stars mirror migrants' contribution to Spain

It’s hard to fathom that the combined age of arguably Spain’s two most decisive players at this year’s Euros is just 37. 

Barça’s Lamine Yamal (16) and Athletic Bilbao’s Nico Williams (21) have given a renewed verticality and freshness to the stale tiki-taka passing style that La Roja stuck to for some 15 years.

They’re also the first black players for La Selección to be considered the national team’s stars. 

Spain hasn’t historically had a multiracial squad, although in the last five years a few black and mixed-race footballers have donned the red jersey: Thiago, Rodrigo, Ansu Fati and Adama Traoré. 

Fati and Traoré, just like Yamal and Williams, are the sons of African migrants who settled in Spain. 

The national team’s current lighting-fast wingers were both born in Spain – Lamine in Llobregat in Catalonia and Nico in Pamplona in Navarre – but their parents had to work hard to make ends meet before their offspring became stars. 

Watching on from the stands during Spain’s 4-1 win over Georgia on Sunday was Williams’ older brother and Athletic team-mate Iñaki, a Ghana international, who looked after him as a child when their father was working in England and their mother was doing multiple jobs in Bilbao.

In Lamine’s case, his mother is from Equatorial Guinea and his father is Moroccan, bringing their son up in the working-class neighbourhood of Rocafonda in the Catalan town of Mataró.

Both players had offers from their parents’ countries to represent their national sides but they chose Spain, their country of birth, mother tongue and upbringing. 

They are Spanish after all, and a representation of how Spain is becoming increasingly multicultural, equally due to global migration trends as to Spanish necessity.

Spain has one of the lowest birth rates in Europe (1.2 children on average) but immigrant families buck that trend, especially African women in Spain, who have on average 3.4 children. 

Currently, one in three children born in Spain have at least one foreign parent, which explains why they’ve been described as a “demographic life jacket” by the Spanish press. 

Eighty percent of them feel Spanish, according to a 2016 study by the Ortega Y Gasset Institute, compared to a measly 6 percent in the US. It’s also more common than ever for children in Spain to grow up with a mix of cultures – 16.9 percent.

Far-right Vox party may prefer that these new Spaniards be “pureblood” Josés and Marías but such wishes are not only racist, they’re delusional. 

READ MORE: The real reasons why Spaniards don’t want to have children

Migrants have effectively solved the threat of Spain’s declining population, even though the issue of severe underpopulation in “Empty Spain” is still present (nonetheless, in rural areas migration is having a positive impact). 

The country is set to gain another five million people by 2039, and foreigners account for almost 100 percent of this population growth.

After all, regardless of origins, new blood is needed to fill jobs and pay the pensions of Spain’s increasingly ageing population (set to be the longest living on the planet by 2040). 

Additionally, data from Spain’s Social Security ministry shows that foreign workers have bolstered a solid post-pandemic recovery by the Spanish labour market.

Almost one third of all jobs created in Spain since the end of Covid-19 pandemic have been filled by foreign workers.

Yamal and Williams are a representation of the changing face of Spain – younger, more multiracial and with it, hopefully, more tolerant. 

A 2022 by Spanish youth association FAD found that 75 percent of young Spaniards don’t have racist or xenophobic opinions, whilst 25 percent do. 

The success of the current poster boys of Spanish football – with more than 50 million fans on TikTok combined – can hopefully help reduce those intolerance levels among the future generations even further.

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