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GERMAN LANGUAGE

Nine hip-hop tracks that will help you learn German

Studies have shown that listening to music can really help with language learning and German hip-hop is, perhaps surprisingly, perfectly suited to the task.

German Hip Hop band
German hip-hop band Die Fantastischen Vier performs on stage in 2014 in Berlin. (Photo by JOHN MACDOUGALL / AFP)

In fact, it’s a truth universally acknowledged that listening to hip-hop in German will boost your German language abilities tenfold.

Ok, so while that might not technically be entirely (read: at all) true, we reckon Jane Austen would have appreciated many German rappers’ way with words.

And with most clearly enunciating their words, and the rhythmic delivery helping with phrasing, the genre is a gift for language learners: it can help you get to grips with new words, sentence patterns and pronunciation, as well as gain an understanding of current phenomena.

We’ve chosen a selection of German hip-hop tracks – including some old-school gems – that are reasonable easy to understand, as well as a couple for more advanced learners who want to get to grips with the finer nuances of the language and word play.

Here are some songs to get you started.

Die Fantastischen Vier – Die Da

You can’t have an article about German hip hop without mentioning Die Fantastischen Vier (The Fantastic Four, often known as Die Fanta’ 4). Germany’s answer to the Beastie Boys, this Stuttgart band basically kicked off the German hip-hop scene in the late 80s and they’re still going today.

The catchy Die Da!? (Her over there!?) was a tongue-in-cheek hit in 1992 and we love it because the band’s clear articulation makes it easy to understand. Yes, it’s a bit silly – it’s about women the band are interested in, but spoiler: it ends up being the same woman – but it’s packed full of useful German slang.

Want to test your knowledge of German abbreviations? Check out their mfg (Mit freundlichen Grüssen, With best wishes)

READ ALSO: How pop stars can help you master German grammar

Fettes Brot – Jein

Still on an old-school hip-hop vibe, Fettes Brot were a big part of the Hamburg scene. 

‘Jein’ – a pleasing amalgamation of Ja and Nein was a big hit in the early 90s. Again, the delivery is clear, they rap slowly and the text is pretty straightforward. Here’s the chorus, for example:

Soll ich’s wirklich machen oder lass ich’s lieber sein / Jein / Ja, ja, oder nein /
Shall I really do it or would it be better to leave it / Jein / Yes, yes, or no

Perfect for the indecisive.

And for a taster of Hamburg dialect, have a listen to Nordisch by Nature.

One of the founder members Der Tobi later got together with another big name on the Hamburg scene – das Bo – and together with marcnesium and DJ Coolmann, they formed cheeky band Fünf Sterne Deluxe. Check out ‘Willst du mit mir geh’n‘ (Do you want to be my boyfriend/girlfriend?)

Mudi – Kind sein

The German rapper with Turkish and Lebanese roots is known for his storytelling that touches on key cultural issues. There’s less wordplay here and he raps slowly and clearly so, even for less confident German learners, the text is quite easy to understand (although some of his songs have a bit of Arabic, Turkish and Kurdish in them).

In 2016’s ‘Kind sein’ (being a child), he raps about feeling nostalgic for his childhood and the context makes it a breeze to put any new vocab into context.

He raps about missing the days when he was klein und so sorgenlos (small and so carefree) in contrast to now where heute sind die Sorgen gross / Krieg, der in den Herzen tobt (today the worries are great / war that rages in our hearts).

Cro – Ein Teil

Arguably more pop than rap (Cro himself calls the mixture raop), Cro is a pretty big deal in Germany. 

‘Ein Teil’ is a great starter song as the lyrics are straightforward and it’s quite repetitive, helping with understanding and pronunciation. And while Cro mumbles a bit on some of his other tracks (he tends to eat some of his word endings), he’s quite clear on this track.

(And if you see him live, his penchant for wearing a panda mask on stage doesn’t necessarily help matters). Here’s a section of the refrain that’s repeated throughout:

Du bist und bleibst für immer ein Teil von mir 

You are and will always be a part of me

Freundeskreis – A-N-N-A

More known for their socially conscious lyrics, the 90s/00s Stuttgart group had a hit with this slightly soppy but very catchy track.  

Immer wenn es regnet / muss ich an dich denken / wie wir uns begegnet sind / und kann mich nicht ablenken

Whenever it rains / I have to think of you / How we met / I can’t stop thinking about it

Group member Max Herre also went on to have success as a solo artist and that’s also worth a listen. Try 1ste Liebe.

S. Castro – Krieger

For something with a more aggressive flow, try S. Castro.

His strong rhythmic delivery in this 2012 battle rap (Krieger means warrior) makes the lyrics fairly easy to understand.

The politically conscious rapper with Kurdish roots uses his raps to expose oppressive aspects of society and the system so there’s plenty of cultural insights to be gained too.  

Deichkind – Leider Geil

This one – which translates as ‘unfortunately cool’ – really took off in the noughties with people describing everything as ‘leider geil’ for a while. It’s a really easy one to understand, too as it’s all in the present tense and the Hamburg group rap slowly and clearly.

Here’s a sample:

Es tut mir leid, doch ich muss leider gestehen / Es gibt Dinge auf der Welt, die sind (leider geil) / Autos machen Dreck, Umwelt geht kaputt / Doch ‘ne fette neue Karre ist (leider geil)

I’m sorry, but I’ve got to admit it, unfortunately / There are things in the world that are (unfortunately cool) / Cars are dirty, the environment’s going to hell / But getting an awesome new ride is (unfortunately cool)

Sabrina Setlur – Du liebst mich nicht

Setlur started out in the 90s and was one of the first German female rappers to achieve commercial success – this song went to number one.

Combining hard rap with a sung chorus, ‘You don’t love me’ is a heartfelt attack against a partner who doesn’t love her any more. Perfect for anyone who wants to improve their heartbreak vocab in German.

For a time her rap success was overshadowed by her then-relationship with Boris Becker, but her songs stand the test of time. 

This one has since been covered by Ado Kojo featuring Hamburg-based rapper Shirin David.

Bodo Wartke – Barbaras Rhabarberbar

And we couldn’t not include this one. Rapper and cabaret performer Bodo Wartke achieved viral TikTok fame with this tongue-twister that tells the increasingly ludicrous tale of Barbara and her rhubarb bar. 

As well as inspiring a dance, the catchy rap also sparked a huge interest in learning German which can never be a bad thing.

Wartke and friend and rapper Matti Fischer both have super-clear pronunciation. Plus it’s a great track for learning how easy it is to make compound nouns in German.

READ ALSO: How a German tongue twister became an unlikely viral hit

This is obviously just a selection, there are plenty more great hip-hop songs to help you with your German. Have we missed any of your favourites – let us know in the comments!

And if you want to see the lyrics while you listen to the songs, most texts are available on Genius.com and Songtexte.com.

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CULTURE

How an Austrian iconic artist blends the absurd with the familiar at Vienna’s Albertina

A fat Ferrari, pickles on pedestals and two sausages in an intimate embrace -- welcome to the weird world of Erwin Wurm, one of Austria's most famous contemporary artists, who wants us to embrace the absurd.

How an Austrian iconic artist blends the absurd with the familiar at Vienna's Albertina

If we look at “our world from another perspective, from the perspective of the absurd, we might see more”, Wurm told AFP as a retrospective of his work opened in Vienna’s Albertina Museum to mark his 70th birthday.

“Everything seems normal to us,” he said, but if we took another look “we might see different things, and that might be interesting for us to understand things differently”.

The show is a reflection on social norms, consumerist society and the diktats of appearance and even identity, with his quirky take on quintessentially Austrian staples such as sausages and pickled cucumbers alongside luxury bags on giant legs, miniature houses and stacks of clothing.

“He likes to take everyday things… and present them as abstract elements, to make artworks out of them,” said curator Antonia Hoerschelmann.

A visitor passes by the work “Self-Portrait as Pickles” by Austrian artist Erwin Wurm during the preview of Wurm’s 70th-Birthday Retrospective at the Albertina Modern museum in Vienna, on September 12, 2024. (Photo by Joe Klamar / AFP)

Playful

Born in the central city of Bruck an der Mur, Wurm wanted to become a painter, but after a university entrance exam, he found himself in a sculpture class instead.

“It was a big shock… I was frustrated and sad, but after some time, I thought maybe it was a challenge. And from then on, I started to think about the notion of sculpture,” Wurm recalled.

His walk-in rural school allows visitors to squeeze inside through a small entrance, recalling Wurm’s 2010 work “Narrow House”, based on his parental home.

Wurm said he was trying to recreate the “claustrophobic” and “quite rigid” post-World War II Austria, where he grew up.

But he also offers more playful approaches.

In his famous “One Minute Sculptures”, the public is invited to lie down for a minute on tennis balls or slip into sweaters to “connect them much more to a piece”.

Some of his most recent creations have a darker undercurrent, such as a sculpture of what seems like someone wearing a shirt and pants but with no head.

“Instead of the people, I have the clothes. It’s like a shadow of something… We still can recognise something, a human being, but not a person. So the personality is cut out,” he said, evoking a “dystopian future”.

“I’m not happy with our world. How it’s progressing, and how we treat each other. It’s just unbelievable, terrible,” he said.

Austrian artist Erwin Wurm poses next to works during the preview of his 70th-Birthday Retrospective at the Albertina Modern museum in Vienna, on September 12, 2024. (Photo by Joe Klamar / AFP)

The idea of having a retrospective of his works did not appeal to him right away.

“I’m not interested in looking back but in looking forward,” he said. “I like to work, it’s the centre of my life and I would like to go on and develop new ideas and develop the old ones.”

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